19 December 2010

Best Christmas Episode

Every year, American TV shows typically air a Christmas (or for political correctness, Holiday) episode right before going on their holiday hiatus. More often than not, they make their episodes encompass the holiday spirit, one that is full of love and joy despite situations in their fictional world that make the audience doubt if their characters would have any of it at all.

This year, Community (one of the best TV shows of today that you're not watching) showcased their characters in stop motion animation in an episode called "Abed's Uncontrollable Christmas." Community has always been bold in coming up with out-of-the-ordinary episodes (you'll know what I mean if you've seen their paintball episode, and the one with the zombies, and their homage to Goodfellas that explore the power struggle surrounding the supply and demand of chicken fingers in the school cafeteria), and their Holiday episode just proved that they can pretty much kick the butts of every other TV show out there.

Lead Character watched "Abed's Uncontrollable Christmas" three times, enjoyed it each time, and felt that he was ready to deem it the best Christmas episode of any year, especially that it purported that the meaning of Christmas is the first season of Lost, a metaphor for something with great buildup but with no payoff (classic!).

But then The Good Wife happened.

In an episode called "Nine Hours," The Good Wife showed that a Christmas episode does not have to be set during the holiday season.

The story kicks off with Alicia Florrick (Julianna Margulies) receiving a phone call from a Court of Appeals clerk about the habeas petition she sent out just the night before for their client Carter Wright (Chad Coleman--Lead Character remembers him from The Wire), a convicted arsonist and murderer on death row . The clerk wants to know if she's filing an addendum before that night's execution. Alicia freezes, composes herself, and then asks the clerk to repeat what he just said, to make sure that she heard the word "addendum" right. After confirming, Alicia tells the clerk she'll call him right back. She then calls Senior Partner Will Gardner (Josh Charles) about the call from the clerk. Will himself is surprised about the call, and he immediately phones another Senior Partner, Diane Lockhart (Christine Baranski), who also freezes at the idea that the clerk is asking for an addendum. Since Lead Character does not have any idea what an addendum is, he is immediately sucked into the story.

Lead Character learns that the addendum was something they missed to add in the appeal that could very well save their client from meeting his fate at midnight, and the clerk telling them that it exists even without telling them what it is is already breaking the rules. And so the search for that one tiny detail begins, and they have exactly nine hours to turn in the "last Hail Mary appeal."

You must be wondering now how in the hell could Lead Character possibly deem this as the best Christmas episode if it doesn't even seem like a Christmas episode. The answer is in two words: Jesus Christ.

Whether the writers were aware of it or not, Lead Character could not help but notice the parallelism. The story is about a man who is about to get executed. Didn't Jesus Christ die in the same inhuman way? Well, probably not as inhuman, since lethal injection is perhaps an act of kindness compared to scourging and crucifixion, but just the idea that you are being deemed not worthy to be alive, regardless of what you may have done, is cruelty beyond Lead Character's comprehension.

Carter Wright passing through the prison hallway and getting a few seconds'
glimpse of his daughter accompanied by his lawyer, Diane Lockhart.
What Lead Character comprehends, though, is that Christmas is not so much about the birth of Jesus as it is celebrating his legacy. He is perhaps the grandest symbol of hope and kindness and sharing and love for humankind out of all the characters in popular fiction. Say what you must, but despite Lead Character's beliefs, he still thinks Jesus is an inspiring character. Jesus had him at "Let he who is without sin cast the first stone."

Lead Character is not really a fan of preachy materials, but even if "Nine Hours" somewhat preached against capital punishment, it was able to pull it off with enough subtlety that it barely pressed on his gullet. The result: a touching episode that reminds us that Christmas, just like any other time of the year, is for all of us to be kind to one and all and not kill.

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